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Edgar Degas’ Le Tub

October 30, 2009

Edgar Degas (French, 1834-1917) Le Tub

Edgar Degas (French, 1834-1917) Le Tub

Gray’s Auctioneers is pleased to announce the sale of a rare Hébrard foundry bronze sculpture by Edgar Degas, known as Le Tub.

Deba Gray, auctioneer and owner of Gray’s Auctioneers, immediately recognized the sculpture when she first discovered it in a warehouse in New York. What intrigued her was the fact that the sculpture’s base had been violently removed and it seemed to have evidence of fire damage.  Here begins the mystery that Ms. Gray set out to solve. She immediately thought that the piece may have been stolen during wartime, and as such she consulted Art Lost Registry, who informed her that the piece had not been reported as stolen or missing. Further research revealed that the owner had inherited the piece from his father, who had purchased it from a New York City antique dealer 40 years earlier for $25.00. Neither the father nor the dealer were aware the piece was by Edgar Degas because of the missing base, where the signature and foundry marks were located. The father was told that the damaged sculpture had belonged to famed Broadway producer Billy Rose, and that it was damaged in a fire at his Mount Kisco estate in the late 1950’s. Billy Rose had an extensive art collection which was donated to the Israel Museum upon his death in 1966.

Despite the damage, the most important Degas elements remained- that being the girl in the bathing tub.  The problem was the part of the base which was now missing contained all the information needed to authenticate the work. It includes the Degas signature, the foundry stamp and all the other important identification marks on the bronze. After researching various experts that could help authenticate the sculpture Ms. Gray found that Walter Maibaum is the leading authority on the subject and she contacted him. Mr. Maibaum has recently made a tremendous discovery in France; he has uncovered a great number of lifetime plaster sculptures by Degas which were completely unknown to previous scholars and experts. When learning of his discovery, the heirs of Edgar Degas authorized bronze castings from the plasters, and exhibitions of the bronzes will begin in Europe this November. Mr. Maibaum is currently writing a book on the discovery, DEGAS: Sculptures Uncovered-History Revealed which will be published in the spring of 2010.

Mr. Maibaum generously proposed that Deba Gray bring the sculpture to New York so that he and his colleague could examine the bronze side by side with another bronze which was known to be authentic. Much to her surprise, he told her that his colleague is Mrs. Clare Vincent, curator of European Sculpture at Metropolitan Museum of Art who has overseen the Degas bronzes in the museum’s collection for over 40 years. Ms. Gray was even happier to learn that he was able to arrange a side by side comparison of Gray’s bronze with the bronze in the Metropolitan’s collection. A few weeks later Ms. Gray brought the bronze to New York and the two experts made the comparison together. They consulted amongst themselves and agreed the bronze appeared to be an authentic cast made by the Hebrard foundry. Ms. Gray and her consigner were thrilled.

Now that the mystery was solved, another question remained- what is it worth? In November of 2008, Sotheby’s auctioned off a Le Tub bronze in perfect condition for $ 3,778,500.00. Gray’s will be offering this Le Tub bronze for $30,000 to $50,000 on November 14th at its 25th Fine Arts and Antique Auction.

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Buying at Auction

October 16, 2009

Auctions were the original recycling system back in the 1700’s when some of the world’s oldest auction houses were set up.  Beautiful hand crafted items handed down through the generations made their way to the auction block when their current owners needed to generate income for whatever reason.

The same is true today.  You’ll find some amazing pieces, useful pieces, unusual, rare and highly collectible pieces at every auction you attend.  The prices at auction are dictated by the bidders.  If there are no bidders the item doesn’t sell.  If there’s only one bidder they will get it at the opening price.  If there is more than one bidder, the price rises until there is only one bidder left.  It’s pretty simple and it’s almost impossible to bid by accident.  Most auction houses give you a bidder number and  when you want to bid you can raise your card/paddle with the number on it.  The auctioneer will then accept your bid.  If you scratch your nose, wink, or wiggle your ears the auctioneer won’t think you are making a bid.  If you have any questions during the auction you can always speak up and ask the auctioneer.

Come down to Gray’s Auctioneers here on lovely Detroit Avenue in Cleveland and let us show you around and answer any questions you have.  Our next auction is Saturday, October 17th at 1pm.  If you would like to consign items to us email us at appraisals@graysauctioneers.com and we’d be happy to help you sell them.

Don’t forget to check out our website at www.graysauctioneers.com.

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Kamal Youssef

October 13, 2009
Lot 129: Kamal Youssef, Pair of Cityscapes

Lot 129: Kamal Youssef, Pair of Cityscapes

Born in Cairo in 1923, Kamal has been painting since the 1940’s. In Egypt, he had joined a group of artists whose mission was to speak out against fascism. The first of its kind for the Arab world, Art et Liberté allowed artists to challenge the academic art establishment.

Youssef stayed in Paris for two years due to political unrest in Egypt before moving to the United States. In  Pittsburgh he worked for an engineering firm designing highway overpasses and steel mills, but his passion remained with painting.

Sale 24 Lot 129: Kamal Youssef
(Egyptian/American, b.1926)
Pair of Cityscapes
ESTIMATE: $100 to $150

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Cikovsky’s Forest Scene

October 13, 2009

Lot 67: Nicolai Cikovsky, Forest Scene

Lot 67: Nicolai Cikovsky, Forest Scene

Studying art in Russia, Nicolai Cikovsky left for America in 1923, where he restarted his career from scratch in New York City. He was primarily a figurative and landscape painter who worked in a semi-cubist style. Cikovsky associated closely with other Russian American and regional artists, including David Burliuk. They formed the “Squiretown Circle” on Long Island creating a summer arts colony and often exhibited works together as the Hampton Bay Arts Group.

When Abstract Expressionism exploded in the 1950’s, Cikovsky ignored the new trend in art and continued painting in his signature style. During this time he painted prolifically, creating hundreds of land and seascapes near his North Sea home that are often considered some of the finest works of his career.

When Burliuk died in 1967, the Hampton Bay Arts Group began to drift apart, leaving only Cikovsky to continue on painting landscapes the way he had been until his death in 1987

Sale 24 Lot 67: Nicolai Cikovsky
(Russian/American, 1894-1987)
Forest Scene
ESTIMATE: $500 to $600

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Illuminating de Haas

October 13, 2009

Lot 79A: William Frederik de Haas, Ships at Sea

Lot 79A: William Frederik de Haas, Ships at Sea

William Frederik de Hass moved to America at the age of 24, already schooled in the Arts in the fashion of Dutch painters. He painted expansive seascapes and scenes of Maine and Long Island with open ended compositions that were direct observations of Dutch landscape paintings and bridged into the Luminist movement. His use of light reflected a transcendental nature, adding a timelessness to his works.

Sale 24 Lot 79A: William Frederik de Haas
(Dutch/American, 1830-1880)
Ships at Sea,
Oil on canvas
ESTIMATE: $10,000 to $15,000

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Okey’s Birds

October 12, 2009
Lot 59: Okey John Canfield, Rooster

Lot 59: Okey John Canfield, Rooster

Okey John Canfield, a coal miner, factory worker, outdoorsman and gunsmith, settled in Revenna, Ohio after obtaining a job at the Revenna Arsenal. Soon after he began carving birds, mostly from found objects. Having been a hunter, Okey focused his work on domestic species, but also enjoyed carving penguins, parrots, whooping cranes and occasionally a non-avian creature.

The salvaged materials that make up Okey’s sculptures had to be just right for use, such as the inner wood of a cedar telephone pole, which was often used for the bodies of larger species such as eagles. The wood, being seasoned, would carve easily and not split. Additionally, he used dowels for legs, and pine needles for talons.

Lot 57: Okey John Canfield, Eagle

Lot 57: Okey John Canfield, Eagle

Lot 58: Okey John Canfield, Two Pheasants

Lot 58: Okey John Canfield, Two Pheasants

Sale 24 Lot 59: Okey John Canfield
(American, 1907-1995)
Rooster
ESTIMATE: $150 to $250

Sale 24 Lot 57: Okey John Canfield
Figure of an Eagle
ESTIMATE: $150 to $250

Sale 24 Lot 58: Okey John Canfield
Two Pheasants
ESTIMATE: $150 to $250

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Loewy: The Man Who Shaped It All

October 12, 2009
Lot 354: Assembled Set of Raymond Loewy Porcelain Dinnerware

Lot 354: Assembled Set of Raymond Loewy Porcelain Dinnerware

Raymond Loewy is considered the father of industrial design, and for good reason. As one of the most successful commercial designers, Loewy was proud to claim that “the average person, leading a normal life, whether in the country, a village, a city, or a metropolis, is bound to be in daily contact with some of the things, services, or structures in which R.L.A [Raymond Loewy Associates] was a party during the design or planning stage.”

And it is true. With a career that spanned seven decades, Loewy designed the packaging for Lucky Strike cigarettes, the Coca-Cola bottle, the Grey Hound buss and logo, the Shell and Exxon logos as well as the U.S. Postal Service emblem to name a few.

In the late 1940’s, Rosenthal hired Loewy to develop new modern lines for their dinnerware collections. Loewy introduced  Shape 2000. Stylish plates, tight-waisted carafes, and inverted cone cups, the angular design became most reinterpreted by other top mid-century designers. Intended to be produced in stark white, the set could be ordered with special transfer patterns designed by Loewy.

Loewy added other lines, such as Form E, all adhering to clean, sparse modernism and top quality.

Raymond Loewy Dinnerware

Raymond Loewy Dinnerware

Sale 24 Lot 354: An Assembled Set of Raymond Loewy Porcelain Dinnerware
ESTIMATE: $60 to $80

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Giovanni De Simone

October 12, 2009
Lot 351: Giovanni De Simone, Estimate $150-250

Lot 351: Giovanni De Simone, Estimate $150-250

Giovanni De Simone was born into the Italian aristocracy. Having studied under Pablo Picasso, Giovanni picked up on the simple lines and bright colors of the cubist style.  He was influenced by the Sicilian culture around him, portraying scenes of the marketplace, wine making, and fishing.

After his death, Giovanni’s three daughters, Rosita, Susanna, and Margherita, continued producing ceramics inspired by the works of their father.

Sale 24, Lot 351: Giovanni De Simone
Italian Ceramic Vase with Figural Decoration
ESTIMATE: $150 to $250

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Diamonds are forever.

October 5, 2009

With the economic downturn and the availability of estate jewelry, now is the time to buy. You may not normally buy jewelry, but great finds and great deals are abound.

Lot 256: A Ladies Diamond Bridal Ring Set

Lot 256: A Ladies Diamond Bridal Ring Set, Estimate $6,000-7,000

Lot 255: A Ladies Platinum and Marquise Diamond Ring, Estimate $ 4,000-5,000

Lot 255: A Ladies Platinum and Marquise Diamond Ring, Estimate $4,000-5,000

Lot 254: A Ladies 14kt. White Gold Princess Cut 1.02ct. Diamond Ring, Estimate $3,500-4,000

Lot 254: A Ladies 14kt. White Gold Princess Cut 1.02ct. Diamond Ring, Estimate $3,500-4,000

Lot 253: A Ladies 14kt. White Gold, Canary and Champagne Diamond Ring, Estimate $2,000-2,200

Lot 253: A Ladies 14kt. White Gold, Canary and Champagne Diamond Ring, Estimate $2,000-2,200

Lot 258: A Pair of 14kt. Yellow Gold and Diamond Swirl Form Earrings, Estimate $ 2,200-2,500

Lot 258: A Pair of 14kt. Yellow Gold and Diamond Swirl Form Earrings, Estimate $2,200-2,500

Lot 259: A Pair of 14kt. Yellow and White Gold and Diamond X-Form Earrings, Estimate $3,000-3,500

Lot 259: A Pair of 14kt. Yellow and White Gold and Diamond X-Form Earrings, Estimate $3,000-3,500

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You are a Degenerate

October 5, 2009

Attributed to Karl Hoffer

Lot 112A: Attributed to Karl Hofer

Considered a “degenerate” by Nazi Germany, Karl Hofer was dismissed from his teaching post at Kunstschule in Berlin-Charlottenburg and banned from displaying his work in 1933. His studio was then destroyed in 1943 by the Nazis. A prominent German Expressionist, it wasn’t until after WWII that Hofer began to regain recognition.

Sale 24 Lot 112A
Attributed to Karl Hofer (1878 – 1955)
Japanese figure on a stage
Watercolor on paper,
Estimate $ 1,000-2,000